Drewing - Alterations - irreversible...
#51
incazzare.
Gee, Randy... You have instructions for painting bikes on your own website...
PAINTING BICYCLES - BRUSH APPLICATION INTRODUCTION
PAINTING BICYCLES - BRUSH APPLICATION INTRODUCTION
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1964 JRJ (Bob Jackson), 1973 Wes Mason, 1974 Raleigh Gran Sport, 1986 Schwinn High Sierra, 2000ish Colian (Colin Laing), 2011 Dick Chafe, 2013 Velo Orange Pass Hunter
1964 JRJ (Bob Jackson), 1973 Wes Mason, 1974 Raleigh Gran Sport, 1986 Schwinn High Sierra, 2000ish Colian (Colin Laing), 2011 Dick Chafe, 2013 Velo Orange Pass Hunter
#52
Senior Member
In the early 90s I worked in manufacturing for a major international company that had a plant in France, mostly because what was made in the U.S could not be exported to certain countries but what was made in France could be. I spent a bit of time in France comparing how they did things to how they were done in the U.S. and had interaction with both French labor and French management. Yes, it's a stereotype, but that doesn't mean it's not true.
#53
Senior Member
That reminds me of something I've been considering lately. There were massive numbers of inexpensive Schwinns produced but unlike the Raleighs of the late 70s (for example) it seems to me that the Schwinns were well-executed. That is, they set out to build a product of a certain standard and they did it. I've never heard anybody speak of Monday morning Schwinns like we sometimes speak of some of the Raleighs.
#54
multimodal commuter
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Well, if I walked past a dumpster that had a Schwinn in it and a Raleigh in it, odds are I'd take the Raleigh.
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www.rhmsaddles.com.
www.rhmsaddles.com.
#55
incazzare.
+1. Every time.
__________________
1964 JRJ (Bob Jackson), 1973 Wes Mason, 1974 Raleigh Gran Sport, 1986 Schwinn High Sierra, 2000ish Colian (Colin Laing), 2011 Dick Chafe, 2013 Velo Orange Pass Hunter
1964 JRJ (Bob Jackson), 1973 Wes Mason, 1974 Raleigh Gran Sport, 1986 Schwinn High Sierra, 2000ish Colian (Colin Laing), 2011 Dick Chafe, 2013 Velo Orange Pass Hunter
#56
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Gee, Randy... You have instructions for painting bikes on your own website...
PAINTING BICYCLES - BRUSH APPLICATION INTRODUCTION
PAINTING BICYCLES - BRUSH APPLICATION INTRODUCTION
[IMG][/IMG]
[IMG][/IMG]
What is that saying about when the criminal becomes the cop.....?
#57
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Thread Starter
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Gee, Randy... You have instructions for painting bikes on your own website...
PAINTING BICYCLES - BRUSH APPLICATION INTRODUCTION
PAINTING BICYCLES - BRUSH APPLICATION INTRODUCTION
That said, the only I made one mistake, the first time I painted a bike, because it did not need it at all. I made other mistakes when I built my first vintage road bicycle, and it was those mistakes that prompted me to publish MY "TEN SPEEDS", hoping to help others avoid the mistakes I made. Mistakes that cost me extra money, time and effort. Mistakes that reduced the value of the bicycle I refurbished.
Also, any bike that I have painted, except the first one, had no paint or seriously damaged paint, "as found". I refer to my Cambio Rino 2000, my Carlton Flyer and my PX10. One could argue against painting the Cambio Rino, but the Carlton arrived without paint and the Peugeot with a repainted frame, that had a liberal application of Poly Stripper covering it and destroying any hope of restoring anything even remotely resembling the original finish, which, incidentally was blue..
Any way, when I started this thread, it was not about historically important. It was about needless, and often times costly, loss.
One of the best bikes I have ever owned, ride quality wise, was an old found at the dump Legnano. I spent absolutely nothing on that bike and it proved to be a heck of a good bike to ride. One of the best rides in my life. And what would we say to the person with that bike?
Its your bike, do as you like. Or, its your bike, but painting has many issues to consider.
I realize the many bikes do not command much value. But when I see thousands, thrown away at the Thunder Bay landfill site each year, and then multiply that amount by all the landfill sites in North America that accept bicycle throw always, I stand in awe at the waste and needless destruction.
And to make things worse, we still tell people to do what they want because it is their bicycle. That statement, in itself, is silly since the person already knows that it is his, or her bicycle.
I am not a hard core purist, when it comes to original. I am a period and price point correct guy (not my words, but wisely spoken by a friend, none the less). I would rather see a bicycle cleaned up and used, regardless of its pedigree. But when a person, new to the vintage bicycle interest, asks for our advice, I try to offer useful information that will help him, or her, get a decent bike, for a decent price and without making some of the mistakes I made when I got started.
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"98% of the bikes I buy are projects".
"98% of the bikes I buy are projects".
#58
Calamari Marionette Ph.D
I am a hardcore Drewer and always have been. It's MY bike.
This is a 1976 Schwinn. It's no more rare than a Big Mac. Billions served.
Lots of grinding. Nothing is original. Nothing. It lost 12 lbs and rides nice.
Did I ruin it or improve it?
This is a 1976 Schwinn. It's no more rare than a Big Mac. Billions served.
Lots of grinding. Nothing is original. Nothing. It lost 12 lbs and rides nice.
Did I ruin it or improve it?
#59
Rides Majestic
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#60
Riding like its 1990
#62
~>~
"the French Communist party (PCF), soon became one of the most loyal Communist parties in backing the Soviet model of political and socioeco-nomic development and in supporting Moscow’s foreign policies. It was also among the largest Communist parties in Europe. (Bell and Criddle, 1994: p. 2)."
"The PCF’s advocacy of Moscow and its call for revolution in France soon isolated it in a ghetto on the fringes of mainstream domestic politics. The Soviet Union remained always its model and master; East European Communist states were “the future that works.” But these ideas and the party’s isolation in French domestic politics did not prevent the PCF from having a major impact on France from the mid-1940s to the mid-1980s."
"At its leadership’s call, hundreds of thousands of demonstrators would turn into the streets for demonstrations on behalf of one or another Communist causes. The PCF could attract thousands to public rallies and political meetings. The CGT could close down factories, public transportation, and mines with calls for strikes. The party’s activists covered walls with posters or graffiti."
-After the Deluge: The French Communist Party after the End of Communism
https://www.spaef.com/file.php?id=853
Meanwhile the Red Brigades were rampant in Italy firmly entrenched in the Fiat industrial worker base.
Is the fact of industrial unrest in Europe and the UK during the boom period with ties to the Soviet Union through national Communist parties something we should forget and not laugh about a bit? American labor's ties to organized crime in the same era are somehow more attractive and not to be jested about?
It was what it was, and I find it amusing in retrospect.
-Bandera
#63
Randomhead
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That reminds me of something I've been considering lately. There were massive numbers of inexpensive Schwinns produced but unlike the Raleighs of the late 70s (for example) it seems to me that the Schwinns were well-executed. That is, they set out to build a product of a certain standard and they did it. I've never heard anybody speak of Monday morning Schwinns like we sometimes speak of some of the Raleighs.
#64
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@randyjawa To the original post - I love the emotion you have aroused. I have enjoyed your site. I have a few questions to ponder and curious of your thoughts. Lets take this into the real world. I just posted Is this a Galmozzi ? and this is my multi part question.
1. If I strip this poor orphan and find proof of it's providence with a stamp by Galmozzi on the headtube. Is it good enough to spray it best I can and decal it with best decals I can get that are not really correct or
2. Is it only good enough (because of it's providence) if it is restored by a major player at $$$$$ serious dollars?
3. Would it be better to leave it alone and never know if it is a rather ikonic marquee and let it suffer it's future fate of deteriation?
4. If it can't be proven it was built by Galmozzi but it sure looks like it may have been what would be appropriate? Strip it, paint it, & decal it and it might be all not correct.
5. Let it rust because you stripped it trying to find out what it was and now you can't brand it because you can't prove what it really is.
hmmm.... I did make a comment to a curious poster that I thought it would be fine to ream out a brake hole on a really nice Mercian fork so it would accept a different brake. The only reservation I have with that advice is that if not touched up it might encourage rust.
1. If I strip this poor orphan and find proof of it's providence with a stamp by Galmozzi on the headtube. Is it good enough to spray it best I can and decal it with best decals I can get that are not really correct or
2. Is it only good enough (because of it's providence) if it is restored by a major player at $$$$$ serious dollars?
3. Would it be better to leave it alone and never know if it is a rather ikonic marquee and let it suffer it's future fate of deteriation?
4. If it can't be proven it was built by Galmozzi but it sure looks like it may have been what would be appropriate? Strip it, paint it, & decal it and it might be all not correct.
5. Let it rust because you stripped it trying to find out what it was and now you can't brand it because you can't prove what it really is.
hmmm.... I did make a comment to a curious poster that I thought it would be fine to ream out a brake hole on a really nice Mercian fork so it would accept a different brake. The only reservation I have with that advice is that if not touched up it might encourage rust.
#65
Senior Member
I don't have anything so say on topic that hasn't already been said. I would like to say "thank you" to those here in C&V who encouraged me last fall when I happened upon a winter project in the form of an abused 1983ish Apollo Imperial, to ride it first before making changes.
Visions of repainting the bike have passed. I've come to love the "patina", although I have made careful attempts to hide some of its past abuse and resulting rust. The cost to replace the original DA components that were either missing or broken directed me to replacing them with a decade newer 600 components at a reasonable cost. As others have said, the soul of the bike is the frame, which has been maintained.
It was fun to pull up along side another cyclist last weekend riding a newish carbon fibre blah blah bike. He did a double take looking at the Apollo but never said anything, so I eased the tension informing him that it was my "Sunday ride".
Visions of repainting the bike have passed. I've come to love the "patina", although I have made careful attempts to hide some of its past abuse and resulting rust. The cost to replace the original DA components that were either missing or broken directed me to replacing them with a decade newer 600 components at a reasonable cost. As others have said, the soul of the bike is the frame, which has been maintained.
It was fun to pull up along side another cyclist last weekend riding a newish carbon fibre blah blah bike. He did a double take looking at the Apollo but never said anything, so I eased the tension informing him that it was my "Sunday ride".
#66
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^Good example of a bike you don't want to mess with too much. As an example of one that needs some messin' around; I submit my Apollo:
Then the "after" shot, of course:
I don't think even Randy will say I done her wrong
Then the "after" shot, of course:
I don't think even Randy will say I done her wrong
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● 1971 Grandis SL ● 1972 Lambert Grand Prix frankenbike ● 1972 Raleigh Super Course fixie ● 1973 Nishiki Semi-Pro ● 1979 Motobecane Grand Jubile ●1980 Apollo "Legnano" ● 1984 Peugeot Vagabond ● 1985 Shogun Prairie Breaker ● 1986 Merckx Super Corsa ● 1987 Schwinn Tempo ● 1988 Schwinn Voyageur ● 1989 Bottechia Team ADR replica ● 1990 Cannondale ST600 ● 1993 Technium RT600 ● 1996 Kona Lava Dome ●
● 1971 Grandis SL ● 1972 Lambert Grand Prix frankenbike ● 1972 Raleigh Super Course fixie ● 1973 Nishiki Semi-Pro ● 1979 Motobecane Grand Jubile ●1980 Apollo "Legnano" ● 1984 Peugeot Vagabond ● 1985 Shogun Prairie Breaker ● 1986 Merckx Super Corsa ● 1987 Schwinn Tempo ● 1988 Schwinn Voyageur ● 1989 Bottechia Team ADR replica ● 1990 Cannondale ST600 ● 1993 Technium RT600 ● 1996 Kona Lava Dome ●
Last edited by Lascauxcaveman; 04-03-15 at 05:38 PM.
#67
Senior Member
That's a spectacular "save" in my opinion! Very nice.
#68
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I would have to take off the Allvits first.
#69
Bike Butcher of Portland
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Bikes: It's complicated.
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My favorite bicycle to modify is the Raleigh Super Course. They came with mostly crappy parts, so from a functional point of view, there's no reason to retain that crap. From an historic point of view, they don't have any real historic value in their original states. Modify away, I say.
#70
Bike Butcher of Portland
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Then there's this guy who's ruining old, classic Raleighs.
Can't believe the ruination he's performing on these old classics.
Can't believe the ruination he's performing on these old classics.
#71
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If you're refering to my Apollo, that's a Campy Nuovo Gran Sport RD, FD and shifters.
Yah, that Pete guy is such a hack, he could learn a lot from a real pro like me
Then there's this guy who's ruining old, classic Raleighs.
Can't believe the ruination he's performing on these old classics.
Can't believe the ruination he's performing on these old classics.
__________________
● 1971 Grandis SL ● 1972 Lambert Grand Prix frankenbike ● 1972 Raleigh Super Course fixie ● 1973 Nishiki Semi-Pro ● 1979 Motobecane Grand Jubile ●1980 Apollo "Legnano" ● 1984 Peugeot Vagabond ● 1985 Shogun Prairie Breaker ● 1986 Merckx Super Corsa ● 1987 Schwinn Tempo ● 1988 Schwinn Voyageur ● 1989 Bottechia Team ADR replica ● 1990 Cannondale ST600 ● 1993 Technium RT600 ● 1996 Kona Lava Dome ●
● 1971 Grandis SL ● 1972 Lambert Grand Prix frankenbike ● 1972 Raleigh Super Course fixie ● 1973 Nishiki Semi-Pro ● 1979 Motobecane Grand Jubile ●1980 Apollo "Legnano" ● 1984 Peugeot Vagabond ● 1985 Shogun Prairie Breaker ● 1986 Merckx Super Corsa ● 1987 Schwinn Tempo ● 1988 Schwinn Voyageur ● 1989 Bottechia Team ADR replica ● 1990 Cannondale ST600 ● 1993 Technium RT600 ● 1996 Kona Lava Dome ●
Last edited by Lascauxcaveman; 04-03-15 at 11:05 PM.
#72
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Sorry, the results of one of my rants from my teen years as neighborhood bike mechanic.
#73
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Hmm, you could argue that they are historically significant because Peugeot made so many of them! They are iconic, the ultimate representation of the early 70's bike boom. But like the original VW Beetle, few people actually want to own one now as a "real car", let alone keep one in NOS condition. Modify 'em, make em' into hot rods, ride 'em. I ride mine and I hot rod'ed it.
Not that they are so robust - they are not, it's a challenge to find a fork intact, plus the frames often need alignment.
Not that the material is so great, it's not. Some form of mild steel, metric diameters (I think, I guess I should measure), unknown wall thickness, but kind of nicely light for what it is. I guess the walls might be thin?
Not that the lugs and joining is anything special, it's obviously mass-produced factory work. I read that Peugeot had a factory similar to Henry Ford's Rouge Plant, that was designed to convert rock (coal and ore) and water to cars that could be driven at the far end of the plant. I assume some innovative engineering went on at Peugeot since they had steelmaking, metal forming, and frame building all engineered in one place - they could optimize across the value chain if they chose to. And yes, the employment was very high, so in all likelihood this was a hotbed of labor organizing at least involving socialist concepts, like US manufacturing was. But that way lies monsters, to be dumped into P&R. Don't want that, mods!
But still, it's the frame design that is interesting today. The fork has a considerable offset, enough to give a trail value in the high 30's depending on tire. The head and seat tube angles are rather laid back, 72/71.5 on my 55 cm model. The chain stays are long, about 46 cm. And based on old pics I've seen, the geometry dates back to at least the early 50s.
If somebody today is interested in what the bikes of the pre-WW2 and early post-WW2 days accomplished as riders, you can hunt for early Italians, racing bikes of the constructeurs, or other needles in haystacks. Or for probably less than $100, you can buy and equip a UO-8 frame (BB needs to be French, so beware) and go out on it, and feel what most of Europe felt through the first ¾ of the 20th century.
On this site we ask so many questions about geometry, trail, and chainstay length. But if you try out a UO-8, you can find out what the result is, just by doing what we do, dink around with an old frame, make it work, and learn by direct experience. Forget about the validity or "correctness" of the components, the message here is the frame and how it behaves.
That, in my opinion is the value of the UO-8.
At this late date it no longer matters that the parts box was missing from the shipping box or the water damage that occurred in shipping, to disgust and frustrate a young shop rat. Now we are dealing with making an old bike work, and we know how to do that.
#74
Rides Majestic
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But still, it's the frame design that is interesting today. The fork has a considerable offset, enough to give a trail value in the high 30's depending on tire. The head and seat tube angles are rather laid back, 72/71.5 on my 55 cm model. The chain stays are long, about 46 cm. And based on old pics I've seen, the geometry dates back to at least the early 50s.
If somebody today is interested in what the bikes of the pre-WW2 and early post-WW2 days accomplished as riders, you can hunt for early Italians, racing bikes of the constructeurs, or other needles in haystacks. Or for probably less than $100, you can buy and equip a UO-8 frame (BB needs to be French, so beware) and go out on it, and feel what most of Europe felt through the first ¾ of the 20th century.
On this site we ask so many questions about geometry, trail, and chainstay length. But if you try out a UO-8, you can find out what the result is, just by doing what we do, dink around with an old frame, make it work, and learn by direct experience. Forget about the validity or "correctness" of the components, the message here is the frame and how it behaves.
That, in my opinion is the value of the U08.
#75
Senior Member
My invoice from when I bought my '75 S-10S new in '76...
I had also swapped out the original tires, but that didn't show on the receipt.
The safety levers were a transitional thing since I was used to using them on my previous Fuji Special Tourer. They were removed within a year.
SunTour barcons (still on the bike) were added within a month or two of purchasing the bike.
Since then, the bike has just about everything replaced at least once. Over close to forty years or riding the same bike, I don't think one can really blame me. I think I'm on the fourth set of wheels. Third rear derailleur, third freewheel, umteenth chain. Cables, brake pads, bar wrap, waterbottle cages, etc...
I had also swapped out the original tires, but that didn't show on the receipt.
The safety levers were a transitional thing since I was used to using them on my previous Fuji Special Tourer. They were removed within a year.
SunTour barcons (still on the bike) were added within a month or two of purchasing the bike.
Since then, the bike has just about everything replaced at least once. Over close to forty years or riding the same bike, I don't think one can really blame me. I think I'm on the fourth set of wheels. Third rear derailleur, third freewheel, umteenth chain. Cables, brake pads, bar wrap, waterbottle cages, etc...