So It's Come To This?!
#76
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It's basically the exact same design philosophy as Bianchi Specialissima, just Specialized managed to make it crazy light, and the Bianchi is only average weight (by super-bike standards).
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#77
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Same as the Emonda SLR 10. I'm sure many were sold new at a discount after the year they were introduced.
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#81
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#82
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(And yes, my autocorrect often adds an unwanted apostrophe too. Starting a sentence with "Were" almost always results in "We're")
#83
Member
My experience with really high end audio has been in mastering studios (mastering MY music) where they had speakers that were in the $40,000 to $100,000 range...and I don't know how those speakers compare to say, $20,000 speakers, but I do: in the two studios I've used for that purpose, the sound was fantastic.
I own a pari of Paradigm studio 60 speakers, which I think are great ((can't remember what they cost, but it was under $2000), but they don't faintly compare (nor, of course, does my amp, etc).
In high end audio, it is totally possible to find overpricced things that don't sound good, but the state of the art can be awfully great...
On the other hand, studio 1's, $40,000 spearks did the job just as well as studio 2's more than twice expensive, but I have NO idea which actually sounded better, or how they were different (the use of each being several years apart). But with both the experience was: WOW! I've lived in this music, but I never heard all of it until then.
Mastering studios have much better speakers than recording studios.
I own a pari of Paradigm studio 60 speakers, which I think are great ((can't remember what they cost, but it was under $2000), but they don't faintly compare (nor, of course, does my amp, etc).
In high end audio, it is totally possible to find overpricced things that don't sound good, but the state of the art can be awfully great...
On the other hand, studio 1's, $40,000 spearks did the job just as well as studio 2's more than twice expensive, but I have NO idea which actually sounded better, or how they were different (the use of each being several years apart). But with both the experience was: WOW! I've lived in this music, but I never heard all of it until then.
Mastering studios have much better speakers than recording studios.
#84
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The law of diminishing returns apply fully to this. Typically speakers used in mastering facilities are not using near field Studio monitors that are designed to specifically NOT “color” the sound of the mix & be as neutral as possible. They are designed to replicate the greatest example of what the recorded material is capable of. I’ve listened to JM Labs Grand Utopia‘a, B&W Nautilus series, UREi Blue Cones & even old school EM Long Reference Monitors & I have never left unimpressed. I’ve recently become very fond of the newer QUAD ESL’s & the proper subwoofer complement.
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#85
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What I don't understand is why those that can't or won't pay that much for a bike are griping so much. It's too much money for me, but so are the other 12,000 dollar bikes. If 12,000 dollars was pocket change, and the Aethos had a pretty color paint job, I'd probably buy it and the other S-works too.
If that is what it cost for them to make and market, then let the market take care of that. Seems like some people are wanting a Volks-bike for all the people.
#86
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The law of diminishing returns apply fully to this. Typically speakers used in mastering facilities are not using near field Studio monitors that are designed to specifically NOT “color” the sound of the mix & be as neutral as possible. They are designed to replicate the greatest example of what the recorded material is capable of. I’ve listened to JM Labs Grand Utopia‘a, B&W Nautilus series, UREi Blue Cones & even old school EM Long Reference Monitors & I have never left unimpressed. I’ve recently become very fond of the newer QUAD ESL’s & the proper subwoofer complement.
That said, the one solid state system that gave me similar goosebumps was a pair of Wilson Watt/Puppies fed by Krell/ML. Heard it at Stereophile editor Jonathan Atkinson's studio in NYC and I'd probably sacrifice atleast 5 random Bikeforum members to Satan to get me a pair of those.
I am down to my last pair of RCA 2A3s now.
#87
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My experience with really high end audio has been in mastering studios (mastering MY music) where they had speakers that were in the $40,000 to $100,000 range...and I don't know how those speakers compare to say, $20,000 speakers, but I do: in the two studios I've used for that purpose, the sound was fantastic.
I own a pari of Paradigm studio 60 speakers, which I think are great ((can't remember what they cost, but it was under $2000), but they don't faintly compare (nor, of course, does my amp, etc).
In high end audio, it is totally possible to find overpricced things that don't sound good, but the state of the art can be awfully great...
On the other hand, studio 1's, $40,000 spearks did the job just as well as studio 2's more than twice expensive, but I have NO idea which actually sounded better, or how they were different (the use of each being several years apart). But with both the experience was: WOW! I've lived in this music, but I never heard all of it until then.
Mastering studios have much better speakers than recording studios.
I own a pari of Paradigm studio 60 speakers, which I think are great ((can't remember what they cost, but it was under $2000), but they don't faintly compare (nor, of course, does my amp, etc).
In high end audio, it is totally possible to find overpricced things that don't sound good, but the state of the art can be awfully great...
On the other hand, studio 1's, $40,000 spearks did the job just as well as studio 2's more than twice expensive, but I have NO idea which actually sounded better, or how they were different (the use of each being several years apart). But with both the experience was: WOW! I've lived in this music, but I never heard all of it until then.
Mastering studios have much better speakers than recording studios.
The same sort of thing happens with bikes and pro users. It's the rest of us that will hit the wall at some point before we reach the upper end of the price scale.
#88
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I agree.
What I don't understand is why those that can't or won't pay that much for a bike are griping so much. It's too much money for me, but so are the other 12,000 dollar bikes. If 12,000 dollars was pocket change, and the Aethos had a pretty color paint job, I'd probably buy it and the other S-works too.
If that is what it cost for them to make and market, then let the market take care of that. Seems like some people are wanting a Volks-bike for all the people.
What I don't understand is why those that can't or won't pay that much for a bike are griping so much. It's too much money for me, but so are the other 12,000 dollar bikes. If 12,000 dollars was pocket change, and the Aethos had a pretty color paint job, I'd probably buy it and the other S-works too.
If that is what it cost for them to make and market, then let the market take care of that. Seems like some people are wanting a Volks-bike for all the people.
But turn it around, and rather than being outraged or amused or whatever about the marginal gains from godawfully expensive versions, consider how great it is to be able to afford versions that give you most of the same performance.
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#89
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Every hobby/interest/pursuit I've ever gotten involved in, there are always the higher levels of equipment that cost more than most enthusiasts can afford, and there are ALWAYS discussion threads on whether that item is "worth it", since its performance is only marginally better than something cheaper. And the answer is always, 'Somebody's willing to pay that much for it, so yeah, it's "worth it"'.
But turn it around, and rather than being outraged or amused or whatever about the marginal gains from godawfully expensive versions, consider how great it is to be able to afford versions that give you most of the same performance.
But turn it around, and rather than being outraged or amused or whatever about the marginal gains from godawfully expensive versions, consider how great it is to be able to afford versions that give you most of the same performance.
#90
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How is it news to anyone that a major manufacturer is advertising a $12k bike?
#91
Member
[QUOTE=Doctor Morbius;21735255]A non-proprietary road bike for $12,500.00. Who are they trying to kid?
Totally not what the bike is worth but who will pay for that.
Totally not what the bike is worth but who will pay for that.

#92
Full Member
Why spend $14,500 when you could spend $22,000?!
https://www.ebay.com/itm/274517937082
More money is more faster, right? That's the correct math here?
https://www.ebay.com/itm/274517937082
More money is more faster, right? That's the correct math here?
#93
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If we are going to ebay, then how 'bout this fine old used bike?
https://www.ebay.com/itm/GINO-BARTAL...8AAOSw3ZRfhcJu
https://www.ebay.com/itm/GINO-BARTAL...8AAOSw3ZRfhcJu
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#94
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Why spend $14,500 when you could spend $22,000?!
https://www.ebay.com/itm/274517937082
More money is more faster, right? That's the correct math here?
https://www.ebay.com/itm/274517937082
More money is more faster, right? That's the correct math here?
Originally Posted by ebay seller
Heck I'm hoping I don't sell it, hints the price!

#95
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Could probably make a killing in the "audiophile" world selling those CMU blocks as "HDCMU Vibration Isolating Units" or something like that.
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#96
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#97
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If we are going to ebay, then how 'bout this fine old used bike?
https://www.ebay.com/itm/GINO-BARTAL...8AAOSw3ZRfhcJu
https://www.ebay.com/itm/GINO-BARTAL...8AAOSw3ZRfhcJu
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#98
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The $12,500 price tag of the Aethos is only notable because it's not being marketed as a race bike. People can somehow justify the cost of an S-Works Tarmac because Peter Sagan rides one, and they want to be fast like him. Spending that much on a bike that isn't specifically marketed as a race machine seems foreign, because for decades we have been told that racing, looking pro, using the same equipment as the pros, etc is the ultimate sign of being a "serious cyclist". Now there's suddenly a whole crop of aging cyclists (mostly men) who are never going to race again, and don't actually like how ultra-stiff aero road race bikes ride, but still desire and have the funds to own a top-of-the-line bike that fits all the expectations and images associated with it. On top of that... they no longer want to wear jerseys splashed with sponsor logos, or frames with manufacturer names stuck on every tube... in other words, "looking pro" is no longer the ultimate cycling status symbol.
The other main difference with the Aethos is that it's only being offered with top-tier groupsets. This might change over time, but it's notable that there's no $2200 version with alloy wheels and 105 components like you find with the Tarmac and Roubaix. My guess is that starts to ruin the marketing strategy. For now there is an aura of exclusivity around this model that isn't present on other bikes.
I have a feeling we will see more bikes like this in the future. I'm here for it. That Aethos is an awesome looking bike and I'd love to own one, but (like all top-tier bikes) it's WAY more than I could ever justify spending.
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#100
Interocitor Command
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If we are going to ebay, then how 'bout this fine old used bike?
https://www.ebay.com/itm/GINO-BARTAL...8AAOSw3ZRfhcJu
https://www.ebay.com/itm/GINO-BARTAL...8AAOSw3ZRfhcJu