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Photography: playing with lights ;)

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Old 08-21-10, 10:17 PM
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Originally Posted by ID64
One more. Static.

Is that the saddle i sold you?
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Old 08-22-10, 12:08 AM
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Originally Posted by waterrockets
True. Chritsmas... more flashy bits on the list. Gotta ease the family into this budget after getting the body and lens the same week, along with a Nifty Fifty and 2x8Gb of C6 SD, big LowePro shoulder holster...

The shot was 10' from the target, and it appears to have stopped him ok. Not the end of the world.
I've got an extra Nifty Fifty I don't need (and a few other lenses). Got any interesting bike stuff to trade?
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Old 08-22-10, 04:39 PM
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My son decided to one-up the OP:





No photoshop
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Old 08-22-10, 10:24 PM
  #54  
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Originally Posted by logdrum
Big deal really retouched or not. I worked for a printing press and a magazine and I have retouched a ton using photoshop, the traditional masking and darkroom techniques and right in the plate itself. A lot of things are retouched
For me it is. Photoshop is another tool for photographers but too many think it is now the standard that fixes all. Those of us that still attempt to do this in the camera have to deal with people assuming we suck at photography and are just great in PS and I'm tired of it. It's a tool, not the answer.

Originally Posted by logdrum
And you were in the Adobe development team? I think 40-60% of the stock photoshop filters was developed to do what can be traditionally done in the darkroom, camera and the printing press and of that only a small portion can be done in camera. The rest is totally new and not reproducible by hand.
Sorry... little hyperbole. Don't take it so damn seriously. Everything besides the drastic creative stuff can be done old-school. Color filters, distortions, and everything have been done for decades.
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Old 08-23-10, 04:59 AM
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Originally Posted by andrewluke
Those of us that still attempt to do this in the camera have to deal with people assuming we suck at photography and are just great in PS and I'm tired of it. It's a tool, not the answer.
I think you're hanging on to outdated notions of image making. If I can create a more emotionally evocative image with absolute control over my vision, inside the box, why care how it was made? Clients don't, viewers don't, I don't, as long as it satisfies the intent. Sure lots of people use PS as a crutch, but they're still crummy image makers without vision who occasionally get lucky, but long term it's still the same old boring derivative crap.

I suppose there's a place for the purist approach, but it's pretty tough to deny the expanded visual opportunities offered by digital. Everything's a tool.
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Old 08-23-10, 08:27 AM
  #56  
Making a kilometer blurry
 
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Originally Posted by f4rrest
I've got an extra Nifty Fifty I don't need (and a few other lenses). Got any interesting bike stuff to trade?
Sorry for the confusion, the Nifty Fifty is part of the list of things I already bought that cause me to wait for some more budget. Now, if you want to trade a 580EXii for cheap...
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Old 08-23-10, 09:22 AM
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Making a kilometer blurry
 
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Originally Posted by logdrum
WR... I think they were not referring to your shot but the shot in the OP. I clicked on the error level analysis and it showed your shot.
Here's the ELA for the original shot. The bright areas are those that were modified. Note that the background grass and tree blur is not modified.



Here's a photoshopped motion blur (note the streaks in the ELA):
https://www.errorlevelanalysis.com/permalink/afc2b92/
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Old 08-23-10, 10:06 AM
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Originally Posted by waterrockets
Here's the ELA for the original shot. The bright areas are those that were modified. Note that the background grass and tree blur is not modified.
What if he wasn't working in jpeg format when the manipulations were made?
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Old 08-23-10, 10:07 AM
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Making a kilometer blurry
 
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He was working in jpg format when he sharpened things, and that's one of the more basic functions you'd want to do when working in RAW...

I just don't think the motion blur was shopped into this image after the original exposure.
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Old 08-23-10, 10:27 AM
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Nice shots. Especially the pan ... well done.

The second one, the static, looks little flash hot to me.

But I'm not pro ... I just like to look at the pictures!
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Old 08-23-10, 10:49 AM
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Originally Posted by waterrockets
He was working in jpg format when he sharpened things
How do you know that? I have no idea whether the motion blur was added but that ELA method of detecting changes doesn't seem like it would be useful for someone shooting in RAW. Why would someone fool around with editing JPGs when they have a higher quality version available.
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Old 08-23-10, 11:06 AM
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Unless he saved out a jpeg image for general distribution, then resized and re-saved a smaller web version and re-sharpened for the smaller size. Pretty common workflow that's a well used action on my box. All kind of academic, since the image is what matters and the image works nicely regardless of how he got there.
Doesn't this pointless man swinging belong in foo or P&R?
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Old 08-23-10, 11:27 AM
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I thought the pictures were fine. I don't care if they were manipulated or not as the original purpose of the photos was to experiment with lighting and they looked good from that perspective.

I was just curious about this ELA technique which was something I had never heard of before. I did a little reading and it doesn't seem like a definitive technique for determining if a file has been manipulated.
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Old 08-23-10, 12:24 PM
  #64  
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Originally Posted by gregf83
How do you know that? I have no idea whether the motion blur was added but that ELA method of detecting changes doesn't seem like it would be useful for someone shooting in RAW. Why would someone fool around with editing JPGs when they have a higher quality version available.
Well, it would appear that there were portions sharpened in .jpg, because they are brighter. It could be that those edges were just sharp enough to go white with ELA too, but the helmet doesn't seem like it would pop like that on its own w/out modification. The blurred areas all look to be about the same color though.

Originally Posted by dewaday
Doesn't this pointless man swinging belong in foo or P&R?
You're new to the internet? This is in every thread on every forum everywhere. Nobody has said anything like: "You know who else liked fake blur, right?" and then posted a picture of Hitler. That would be a P&R conversation. Foo would be a bunch of flirty tease girls rating the subject's hotness, so this doesn't belong there either.

Originally Posted by gregf83
I thought the pictures were fine. I don't care if they were manipulated or not as the original purpose of the photos was to experiment with lighting and they looked good from that perspective.

I was just curious about this ELA technique which was something I had never heard of before. I did a little reading and it doesn't seem like a definitive technique for determining if a file has been manipulated.
True on both counts. I don't care if it's manipulated or not, but I just haven't seen any evidence that was. The blur looks natural to me.
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Old 08-23-10, 04:24 PM
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Originally Posted by lechat
Is that the saddle i sold you?
Yep After proper fitting session is the most comfortable seat ever. Thanks!
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Old 08-23-10, 04:50 PM
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I'm not quite sure you're understanding how ELA works. I'm not sure the guy behind that website understands it either - on different pages he explains bright edges as both a normal byproduct of jpeg compression that doesn't mean it was edited and later explains at as signs it was edited.

I put in several photos that I know were not edited (because I took them) and it showed many edge highlights like those in the ELA you posted. That seems to be completely normal with edges in JPEG images. Red seems to cause the brightest edges in my images - and what do you know, the bright areas in the images posted are red.

Then I put in a few images that I know had a photoshopped motion blur, and it didn't seem to detect any of them.

From what I've seen, ELA is more or less useless at detecting anything except which parts of the image are red.
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Old 08-23-10, 04:58 PM
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Originally Posted by waterrockets
Regarding an f/8 shot,I can just bump the iso until the exposure is correct with the same shutter speed.
tsk tsk tsk WR... iso bumping will only take you so far on the t2i. if you had a 5dii or a d3s you could essentially play with iso as you please, but there's a marked dropoff in image quality at 3200 on the 550d. you're better off risking a shot at f/4.0 with a narrower DoF than trying to use iso to account for shutter speed.
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Old 08-23-10, 07:59 PM
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Originally Posted by Nerull
I'm not quite sure you're understanding how ELA works. I'm not sure the guy behind that website understands it either - on different pages he explains bright edges as both a normal byproduct of jpeg compression that doesn't mean it was edited and later explains at as signs it was edited.

I put in several photos that I know were not edited (because I took them) and it showed many edge highlights like those in the ELA you posted. That seems to be completely normal with edges in JPEG images. Red seems to cause the brightest edges in my images - and what do you know, the bright areas in the images posted are red.

Then I put in a few images that I know had a photoshopped motion blur, and it didn't seem to detect any of them.

From what I've seen, ELA is more or less useless at detecting anything except which parts of the image are red.
Looks pretty obvious with my sample that I just ran on a photo of my Fuji:

https://errorlevelanalysis.com/permalink/7578f99/

Originally Posted by thegunner
tsk tsk tsk WR... iso bumping will only take you so far on the t2i. if you had a 5dii or a d3s you could essentially play with iso as you please, but there's a marked dropoff in image quality at 3200 on the 550d. you're better off risking a shot at f/4.0 with a narrower DoF than trying to use iso to account for shutter speed.
The t2i can perform pretty well at 3200, but that's about the end of it. The marked dropoff is 6400. The original image was taken at ISO 100, so I've six stops to play with.
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Old 08-23-10, 09:45 PM
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Originally Posted by waterrockets
The t2i can perform pretty well at 3200, but that's about the end of it. The marked dropoff is 6400. The original image was taken at ISO 100, so I've six stops to play with.
we must have differing opinions on what's usable then the pic you posted was just fine, i was talking in general.
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Old 08-23-10, 11:06 PM
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Originally Posted by dewaday
Doesn't this pointless man swinging belong in foo or P&R?
You're new to the internet right? if a mod rambles off topic then it's ok.

Originally Posted by waterrockets
You're new to the internet? This is in every thread on every forum everywhere. Nobody has said anything like: "You know who else liked fake blur, right?" and then posted a picture of Hitler. That would be a P&R conversation. Foo would be a bunch of flirty tease girls rating the subject's hotness, so this doesn't belong there either.


I think Hitler did like fake blur and the OP is kinda dreamy.
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Old 08-24-10, 06:31 AM
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I dunno, now I'm seeing the blue sky is a really different color in the original ELA (similar to my faked blur example).
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Old 08-24-10, 07:01 AM
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Originally Posted by thegunner
we must have differing opinions on what's usable then the pic you posted was just fine, i was talking in general.
Well, I'm no expert, but 3200 seems acceptable to me (not ideal, but certainly good enough): https://www.smugmug.com/gallery/11350...97928646_CcRXz
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Old 08-24-10, 10:17 AM
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Originally Posted by waterrockets
Looks pretty obvious with my sample that I just ran on a photo of my Fuji:

https://errorlevelanalysis.com/permalink/7578f99/
So why did you have to photoshop the logos on your Fuji?

Sure, a completely out of place blur is going to show up. Now try one that's well done.

Here is a completely untouched image I took earlier this year. Now, pretend you had no idea about the authenticity, what would you say, based on just the ELA?

https://errorlevelanalysis.com/permalink/10c1f80/

It has the features of the original image being discussed - edge highlights, dark sky, red standing out like a sore thumb - things you've cited as evidence parts of the image were retouched.

Last edited by Nerull; 08-24-10 at 10:25 AM.
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Old 08-24-10, 10:36 AM
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On a whim I looked up some more info about the guy behind ELA. It seems even he can't keep his story straight about which images are edited and which are not. It is far, far from foolproof and if the guy who invented it has trouble interpreting the output, trying to use it as hard evidence of anything is foolish.

In fact, you might wonder if Dr. Neal Krawetz ever gave a presentation on ELA in the first place...
https://errorlevelanalysis.com/permalink/84c6402/
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Old 08-24-10, 11:00 AM
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Originally Posted by Nerull
So why did you have to photoshop the logos on your Fuji?

Sure, a completely out of place blur is going to show up. Now try one that's well done.

Here is a completely untouched image I took earlier this year. Now, pretend you had no idea about the authenticity, what would you say, based on just the ELA?

https://errorlevelanalysis.com/permalink/10c1f80/

It has the features of the original image being discussed - edge highlights, dark sky, red standing out like a sore thumb - things you've cited as evidence parts of the image were retouched.
Yeah, it's looking like ela is better for real alterations like adding lipstick or changing the shape. Especially pasting from other images.

I still think the original on page one is legit motion blur.
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