Road Test/Bike Review (1989) BIANCHI Giro
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In our small local bike racing club in 1964, five were on Columbus SL bikes (four Atalas and one Legnano) and two were on 531 bikes (Peugeot and Helyett).
That mix might have reflected the preferences of the owner of the one local bike shop that catered to racers, but by the 1970s and especially toward the 1980s, bikes with Columbus tubing were beginning to be the cooler choice among U.S. bike racers. 531 bikes were becoming less fashionable, except for touring riders, where Reynolds continued to dominate.
It has just occurred to me that the preferences in tubing among European bike manufacturers in the 1960s and thereafter might have had less to do with performance characteristics than with political affiliations in the 1930s and during and after the war years. That's probably just a wild guess, but it's true that most English and French bikes used English (and French) tubing; most Italian bikes used Italian tubing.
I'd already owned five 531 bikes by the time I bought my Aelle Bianchi Eco Pista in 1983 and my SL/SP Bianchi Specialissima in 1984. The 531 bikes were lighter, but the Columbus bikes felt better at speed. That might have had more to do with the shorter wheelbases of the Bianchi bikes, though.
Tube set weight alone doesn't tell you much about how the bike will ride. The best demonstration of that fact I've ever read was in the Bicycle Guide magazine double-blind test of seven bikes built with seven different Columbus tube sets, from Aelle to EL-OS. (As i recall, a proportion of the test riders chose the Aelle bike as one of the best of the seven.)
That mix might have reflected the preferences of the owner of the one local bike shop that catered to racers, but by the 1970s and especially toward the 1980s, bikes with Columbus tubing were beginning to be the cooler choice among U.S. bike racers. 531 bikes were becoming less fashionable, except for touring riders, where Reynolds continued to dominate.
It has just occurred to me that the preferences in tubing among European bike manufacturers in the 1960s and thereafter might have had less to do with performance characteristics than with political affiliations in the 1930s and during and after the war years. That's probably just a wild guess, but it's true that most English and French bikes used English (and French) tubing; most Italian bikes used Italian tubing.
I'd already owned five 531 bikes by the time I bought my Aelle Bianchi Eco Pista in 1983 and my SL/SP Bianchi Specialissima in 1984. The 531 bikes were lighter, but the Columbus bikes felt better at speed. That might have had more to do with the shorter wheelbases of the Bianchi bikes, though.
Tube set weight alone doesn't tell you much about how the bike will ride. The best demonstration of that fact I've ever read was in the Bicycle Guide magazine double-blind test of seven bikes built with seven different Columbus tube sets, from Aelle to EL-OS. (As i recall, a proportion of the test riders chose the Aelle bike as one of the best of the seven.)
Bicycle-Guide-Magnificent-Seven-Test.pdf
Last edited by Trakhak; 03-28-23 at 05:16 AM.
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I've only seen one 531 bike in my lifetime, including all the years working in shops 1985 - 1995, in both SoCal and NorCal. It was a neighbor's very used bike. Everything else I encountered for medium to high-end bikes was Columbus or Tange (with other tubes scattered about, I'm sure).
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Tube set weight alone doesn't tell you much about how the bike will ride. The best demonstration of that fact I've ever read was in the Bicycle Guide magazine double-blind test of seven bikes built with seven different Columbus tube sets, from Aelle to EL-OS. (As i recall, a proportion of the test riders chose the Aelle bike as one of the best of the seven.)
Bicycle-Guide-Magnificent-Seven-Test.pdf
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I have a Colnago made with Thron tubing, which the author of the article thought absorbed vibrations best. Colnago didn't really make "entry level" bikes, but this bike (a C97, I think) was as close to that as they came. At least it was positioned at the bottom of Colnago's lineup. I think it rides as well as any bike I own.
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That's one of the most interesting outcomes of the test. I agree that these aren't high end tubes, and yet the author didn't perceive a lot of differences between them and SLX, Neuron, or EL-OS.
I have a Colnago made with Thron tubing, which the author of the article thought absorbed vibrations best. Colnago didn't really make "entry level" bikes, but this bike (a C97, I think) was as close to that as they came. At least it was positioned at the bottom of Colnago's lineup. I think it rides as well as any bike I own.
I have a Colnago made with Thron tubing, which the author of the article thought absorbed vibrations best. Colnago didn't really make "entry level" bikes, but this bike (a C97, I think) was as close to that as they came. At least it was positioned at the bottom of Colnago's lineup. I think it rides as well as any bike I own.
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I think it is up to the individual , I have been three years into road bike racing and MTB trail riding but for me there is a difference between an entry level mid steel frame and high end steel one. Pedaling with a dead weight is no for me. That is also the same remark for entry level aluminiums like Oria 7020 or Columbus Aluthron or some high end frames made from Easton, Columbus Altec, Altec 2+, Starship, Dedacciai 7003 now Dedacciai Aegis a 7005 and scandium serie or with Alcoa Alcalyte Aluminium found on Cannondales and Giants.
The "Magnificent Seven" article ends with a quote from Richard Sachs, which I'll repeat here in a slightly expanded form (the quote can be found here: https://richardsachs.com/framed-art/). “Tubing itself doesn’t have any connotation of quality. At this end of the business, it’s more about construction and perhaps design than materials. I actually think that material is the least consequential choice. When someone is buying a bike from me, they’re buying my design choices and my construction skills. Omitting a tubing decal isn’t an act of defiance, I’m only saying that my bikes are no better or no worse just because I used a particular brand of tubing.”
The point about design choices ties this back to what I was trying to say earlier about the mix of SPX and SLX tubes used in the Bianchi reviewed above. You might see SPX as a low quality tube set because it's heavy. I think MAX, TSX, and EL/EL-OS were available in 1989, but they were relatively new. So, Bianchi is producing this frame. They have a choice of tubing. The engineers would consider which tubing would provide the characteristics they wanted, and the marketing department would tell them the price point they needed to hit. Since this tubing mix was used on Bianchi's top-of-the-line models, I would conclude that either (a) the engineers didn't think that more expensive tubing would provide significant performance differentiation, or (b) the marketing department wasn't interested in offering anything better than this. The latter is a real possibility as manufacturers don't like to have too many different options available and they wouldn't want to undercut a model that would appeal to most performance-oriented customers by offering something which would have a more limited market and positioning it as "better". But I think there's also a real possibility that the engineers didn't think more expensive tubing would significantly improve the bike.
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I had an early 80s Bianchi Sprint like the one in this catalog. https://i0.wp.com/2velo.com/wp-conte...794,1024&ssl=1
Red/maroon with yellow lettering. Definitely, Columbus. Gave that to local kid who needed ride to community college in 2002. I keep searching for on on CL and FB.
Red/maroon with yellow lettering. Definitely, Columbus. Gave that to local kid who needed ride to community college in 2002. I keep searching for on on CL and FB.
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I really enjoy reading these bike review road tests and comparing the spec's and ofcourse the list prices.
What would be really cool would be to compare the rides for the 1989 reviews.
This would of course be diff for riders, sizes, styles, and preferences and the bikes would need wheels that were similar.
This would probably reveal more of what Andy quoted from Richard Sachs above about the design choices and builders construction skills. Still would be cool to have an apples to apples compare for these reviews. Im a bigger rider and really like the stiffer and slightly heavier frames like the gilco master profile provided
(1989) BASSO Ascot
(1989) BIANCHI Giro
(1989) MASI Gran Criterium
(1989) CINELLI Supercorsa
(1989) COLNAGO Master
What would be really cool would be to compare the rides for the 1989 reviews.
This would of course be diff for riders, sizes, styles, and preferences and the bikes would need wheels that were similar.
This would probably reveal more of what Andy quoted from Richard Sachs above about the design choices and builders construction skills. Still would be cool to have an apples to apples compare for these reviews. Im a bigger rider and really like the stiffer and slightly heavier frames like the gilco master profile provided
(1989) BASSO Ascot
(1989) BIANCHI Giro
(1989) MASI Gran Criterium
(1989) CINELLI Supercorsa
(1989) COLNAGO Master
Last edited by joesch; 04-03-23 at 07:54 PM.
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My recollection is that one of the Bianchis that I raced was Columbus SBX. This was a beautiful Celeste frame that I built up with Chorus.
Where did SBX fit in (not SLX or SPX). Sadly, I snapped a chainstay on this beautiful frame.
Where did SBX fit in (not SLX or SPX). Sadly, I snapped a chainstay on this beautiful frame.
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I'm not going to go so far as to say that tubing choice doesn't matter, because I think it does, but I'm not sure that there is a simple mapping from better to worse once you get beyond a certain point. How lively a frame feels depends on things like construction quality, geometry, and rider weight, in addition to the tubing choice. There's almost certainly a correlation between the selection of "high end" tubing and things like good construction and thoughtfully designed geometry, and especially with mass production frames "low end" tubing is chosen in order to meet a price point, but I think it's equally true with mass production frames that "high end" tubing is often chosen as a marketing bullet point.
The "Magnificent Seven" article ends with a quote from Richard Sachs, which I'll repeat here in a slightly expanded form (the quote can be found here: https://richardsachs.com/framed-art/). “Tubing itself doesn’t have any connotation of quality. At this end of the business, it’s more about construction and perhaps design than materials. I actually think that material is the least consequential choice. When someone is buying a bike from me, they’re buying my design choices and my construction skills. Omitting a tubing decal isn’t an act of defiance, I’m only saying that my bikes are no better or no worse just because I used a particular brand of tubing.”
The point about design choices ties this back to what I was trying to say earlier about the mix of SPX and SLX tubes used in the Bianchi reviewed above. You might see SPX as a low quality tube set because it's heavy. I think MAX, TSX, and EL/EL-OS were available in 1989, but they were relatively new. So, Bianchi is producing this frame. They have a choice of tubing. The engineers would consider which tubing would provide the characteristics they wanted, and the marketing department would tell them the price point they needed to hit. Since this tubing mix was used on Bianchi's top-of-the-line models, I would conclude that either (a) the engineers didn't think that more expensive tubing would provide significant performance differentiation, or (b) the marketing department wasn't interested in offering anything better than this. The latter is a real possibility as manufacturers don't like to have too many different options available and they wouldn't want to undercut a model that would appeal to most performance-oriented customers by offering something which would have a more limited market and positioning it as "better". But I think there's also a real possibility that the engineers didn't think more expensive tubing would significantly improve the bike.
The "Magnificent Seven" article ends with a quote from Richard Sachs, which I'll repeat here in a slightly expanded form (the quote can be found here: https://richardsachs.com/framed-art/). “Tubing itself doesn’t have any connotation of quality. At this end of the business, it’s more about construction and perhaps design than materials. I actually think that material is the least consequential choice. When someone is buying a bike from me, they’re buying my design choices and my construction skills. Omitting a tubing decal isn’t an act of defiance, I’m only saying that my bikes are no better or no worse just because I used a particular brand of tubing.”
The point about design choices ties this back to what I was trying to say earlier about the mix of SPX and SLX tubes used in the Bianchi reviewed above. You might see SPX as a low quality tube set because it's heavy. I think MAX, TSX, and EL/EL-OS were available in 1989, but they were relatively new. So, Bianchi is producing this frame. They have a choice of tubing. The engineers would consider which tubing would provide the characteristics they wanted, and the marketing department would tell them the price point they needed to hit. Since this tubing mix was used on Bianchi's top-of-the-line models, I would conclude that either (a) the engineers didn't think that more expensive tubing would provide significant performance differentiation, or (b) the marketing department wasn't interested in offering anything better than this. The latter is a real possibility as manufacturers don't like to have too many different options available and they wouldn't want to undercut a model that would appeal to most performance-oriented customers by offering something which would have a more limited market and positioning it as "better". But I think there's also a real possibility that the engineers didn't think more expensive tubing would significantly improve the bike.
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But reflecting on it today I can appreciate your enthusiasm for the improved tubing of the late 80's and beyond, even if it's not my thing. As someone who is constantly putting indexed shifters on bikes from an earlier period, it's kind of ironic that I'm taking the skeptical position on the tubing. To each his own, I suppose.
For the sake of continuing the conversation, I'll tell you what's in my garage currently. I've got five bikes with Columbus SL, four with full double-butted Reynolds 531, two with Reynolds 531 main triangle, one with Reynolds 853, one with Specialized "Special Series Touring" (a mix of Tange 1 and Tange 2), one with Specialized's "Special Series Racing" (on a 3Rensho-built Allez, so I think maybe Ishiwata), one Columbus SLX/SPX mix (the Bianchi reviewed here), one Columbus SLX, one Columbus Thron, one Columbus Genius, one 3/2.5 titanium, and three aluminum (two 6061 and whatever Cannondale used in the late 80's. There is a lot of correlation between the age of these bikes and the tubing they used. All of the ones from the 70's have either Reynolds 531 or Columbus SL. The ones with Reynolds 853, Columbus Thron, Columbus Genius and Titanium are from the late 90's or early 2000's. The ones with 6061 aluminum are mid 2010's. Everything else is from the 80's. I'm not sure there's much correlation between tubing and which ones I enjoy riding the most.
Among these, the one with the most comfortable ride and yet still sporty is the Special Series Touring tubes (1983 Specialized Sequoia). I'm happy with them all, though the SLX (1987 Pinarello Montello) is probably my least favorite. The Columbus Genius and the Reynolds 853 are probably the ones that are most up to your standards in terms of technology. They're both great, but as a heavy rider (~250 pounds) I'm a little nervous about the Genius and the skinny 22-year old carbon fork paired with the 853 (LeMond) seems like a time bomb waiting to got off. They're both very light though.
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It occurs to me that I'm settling into the role of retro-grouch here. I guess I'm looking at top quality bikes from the 70's and 80's and saying that the tubes they used were good enough, so why do we need new tubing?
But reflecting on it today I can appreciate your enthusiasm for the improved tubing of the late 80's and beyond, even if it's not my thing. As someone who is constantly putting indexed shifters on bikes from an earlier period, it's kind of ironic that I'm taking the skeptical position on the tubing. To each his own, I suppose.
For the sake of continuing the conversation, I'll tell you what's in my garage currently. I've got five bikes with Columbus SL, four with full double-butted Reynolds 531, two with Reynolds 531 main triangle, one with Reynolds 853, one with Specialized "Special Series Touring" (a mix of Tange 1 and Tange 2), one with Specialized's "Special Series Racing" (on a 3Rensho-built Allez, so I think maybe Ishiwata), one Columbus SLX/SPX mix (the Bianchi reviewed here), one Columbus SLX, one Columbus Thron, one Columbus Genius, one 3/2.5 titanium, and three aluminum (two 6061 and whatever Cannondale used in the late 80's. There is a lot of correlation between the age of these bikes and the tubing they used. All of the ones from the 70's have either Reynolds 531 or Columbus SL. The ones with Reynolds 853, Columbus Thron, Columbus Genius and Titanium are from the late 90's or early 2000's. The ones with 6061 aluminum are mid 2010's. Everything else is from the 80's. I'm not sure there's much correlation between tubing and which ones I enjoy riding the most.
Among these, the one with the most comfortable ride and yet still sporty is the Special Series Touring tubes (1983 Specialized Sequoia). I'm happy with them all, though the SLX (1987 Pinarello Montello) is probably my least favorite. The Columbus Genius and the Reynolds 853 are probably the ones that are most up to your standards in terms of technology. They're both great, but as a heavy rider (~250 pounds) I'm a little nervous about the Genius and the skinny 22-year old carbon fork paired with the 853 (LeMond) seems like a time bomb waiting to got off. They're both very light though.
But reflecting on it today I can appreciate your enthusiasm for the improved tubing of the late 80's and beyond, even if it's not my thing. As someone who is constantly putting indexed shifters on bikes from an earlier period, it's kind of ironic that I'm taking the skeptical position on the tubing. To each his own, I suppose.
For the sake of continuing the conversation, I'll tell you what's in my garage currently. I've got five bikes with Columbus SL, four with full double-butted Reynolds 531, two with Reynolds 531 main triangle, one with Reynolds 853, one with Specialized "Special Series Touring" (a mix of Tange 1 and Tange 2), one with Specialized's "Special Series Racing" (on a 3Rensho-built Allez, so I think maybe Ishiwata), one Columbus SLX/SPX mix (the Bianchi reviewed here), one Columbus SLX, one Columbus Thron, one Columbus Genius, one 3/2.5 titanium, and three aluminum (two 6061 and whatever Cannondale used in the late 80's. There is a lot of correlation between the age of these bikes and the tubing they used. All of the ones from the 70's have either Reynolds 531 or Columbus SL. The ones with Reynolds 853, Columbus Thron, Columbus Genius and Titanium are from the late 90's or early 2000's. The ones with 6061 aluminum are mid 2010's. Everything else is from the 80's. I'm not sure there's much correlation between tubing and which ones I enjoy riding the most.
Among these, the one with the most comfortable ride and yet still sporty is the Special Series Touring tubes (1983 Specialized Sequoia). I'm happy with them all, though the SLX (1987 Pinarello Montello) is probably my least favorite. The Columbus Genius and the Reynolds 853 are probably the ones that are most up to your standards in terms of technology. They're both great, but as a heavy rider (~250 pounds) I'm a little nervous about the Genius and the skinny 22-year old carbon fork paired with the 853 (LeMond) seems like a time bomb waiting to got off. They're both very light though.
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Maybe not today, but in the 1980s, Columbus SL/SP and SLX/SPX was absolutely considered top of the line tubing.
Last edited by smd4; 04-04-23 at 05:32 PM.
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In the 80's the lightest and most high end steels were the Supervitus, 753, 653 and the Excell Podium , Columbus didn't offer a steel of the 4/10th of thickness until the apparition of EL in 1988-1989.Columbus SL/SP and SLX/SPX were 6/10th of thickness steels and they weren't nivacrom steels, they were comfy steels but nothing extraordinary light.The 531C and 531 Pro were 5/10th of thickness weighting less than Columbus SL/SP and SLX/SPX.
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In the 80's the lightest and most high end steels were the Supervitus, 753, 653 and the Excell Podium , Columbus didn't offer a steel of the 4/10th of thickness until the apparition of EL in 1988-1989.Columbus SL/SP and SLX/SPX were 6/10th of thickness steels and they weren't nivacrom steels, they were comfy steels but nothing extraordinary light.The 531C and 531 Pro were 5/10th of thickness weighting less than Columbus SL/SP and SLX/SPX.
The weight of a frame doesn't reliably tell you anything about its ride quality, though, as demonstrated by the Magnificent Seven double-blind test results. Everyone who participated undoubtedly expected to be able to distinguish easily the frames built with cheaper tubing from the ones built with expensive tubing and to be able to rank them confidently, but you know how that turned out.
Of all the bikes I've owned since the mid-1960s, and that's a lot of top-of-the-line steel bikes, my favorite was an Aelle Bianchi Eco Pista. It remained my favorite until I bought my first aluminum bike, a Specialized Langster.
It's true that I never owned a bike built with 753, EL, Excell, etc. But, as amply demonstrated in that double-blind test, my favorite two bikes would almost certainly still have been those two.
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If your criterion for "high end" is weight and nothing else (except price), then the accuracy of your ranking of frames is indisputable.
The weight of a frame doesn't reliably tell you anything about its ride quality, though, as demonstrated by the Magnificent Seven double-blind test results. Everyone who participated undoubtedly expected to be able to distinguish easily the frames built with cheaper tubing from the ones built with expensive tubing and to be able to rank them confidently, but you know how that turned out.
Of all the bikes I've owned since the mid-1960s, and that's a lot of top-of-the-line steel bikes, my favorite was an Aelle Bianchi Eco Pista. It remained my favorite until I bought my first aluminum bike, a Specialized Langster.
It's true that I never owned a bike built with 753, EL, Excell, etc. But, as amply demonstrated in that double-blind test, my favorite two bikes would almost certainly still have been those two.
The weight of a frame doesn't reliably tell you anything about its ride quality, though, as demonstrated by the Magnificent Seven double-blind test results. Everyone who participated undoubtedly expected to be able to distinguish easily the frames built with cheaper tubing from the ones built with expensive tubing and to be able to rank them confidently, but you know how that turned out.
Of all the bikes I've owned since the mid-1960s, and that's a lot of top-of-the-line steel bikes, my favorite was an Aelle Bianchi Eco Pista. It remained my favorite until I bought my first aluminum bike, a Specialized Langster.
It's true that I never owned a bike built with 753, EL, Excell, etc. But, as amply demonstrated in that double-blind test, my favorite two bikes would almost certainly still have been those two.
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In the 80's the lightest and most high end steels were the Supervitus, 753, 653 and the Excell Podium , Columbus didn't offer a steel of the 4/10th of thickness until the apparition of EL in 1988-1989.Columbus SL/SP and SLX/SPX were 6/10th of thickness steels and they weren't nivacrom steels, they were comfy steels but nothing extraordinary light.The 531C and 531 Pro were 5/10th of thickness weighting less than Columbus SL/SP and SLX/SPX.
Why do you think so many high-end racing frames from the 1980s used SLX/SPX? Cinelli, Paramount, Bottecchia, Bianchi, Basso? If you think they were using “mid-grade” tubing for their top of the line frames, then you’re sorely mistaken, and your credibility is diminished.
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I’m only referring to Columbus tubes.
Why do you think so many high-end racing frames from the 1980s used SLX/SPX? Cinelli, Paramount, Bottecchia, Bianchi, Basso? If you think they were using “mid-grade” tubing for their top of the line frames, then you’re sorely mistaken, and your credibility is diminished.
Why do you think so many high-end racing frames from the 1980s used SLX/SPX? Cinelli, Paramount, Bottecchia, Bianchi, Basso? If you think they were using “mid-grade” tubing for their top of the line frames, then you’re sorely mistaken, and your credibility is diminished.
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EL was used by Stephen roche for his triple win and more than 27 Tour de France were won by Reynolds with the 531 (mostly) and 753. How many Tour de France have SLX and SPX won? I am curious to know. Fignon won his tours on a Raleigh Reynolds 753 and Hinault on a Look Reynolds 753, then a look carbon.Gianni Bugno won the world road championship with a Genius frame in 1992.Indurain won his tours on an oria steel made Pinarello.
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I was bored during my lunch break, so I was trying to find any info about major wins on SLX frames. It seems that Battaglin is claiming that Roche's wins were on SLX.
https://officinabattaglin.com/produc...ditions/roche/
I'm really not trying to turn this into a slap fight, just sharing what I found.
https://officinabattaglin.com/produc...ditions/roche/
I'm really not trying to turn this into a slap fight, just sharing what I found.
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I was bored during my lunch break, so I was trying to find any info about major wins on SLX frames. It seems that Battaglin is claiming that Roche's wins were on SLX.
https://officinabattaglin.com/produc...ditions/roche/
I'm really not trying to turn this into a slap fight, just sharing what I found.
https://officinabattaglin.com/produc...ditions/roche/
I'm really not trying to turn this into a slap fight, just sharing what I found.
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I have enjoyed the tubing discussion. My entrance into the hobby came in the mid-2000s so I was not around for most of the contemporary periods of discussion. As someone interested in the marketing and technical materials of the time, however, it does seem to me that whichever way we evaluate SLX/SPX today - it was marketed and featured as among the top end steels of it's time. Perhaps not the top of the top end like some of the ultra-thinwall low-production tubes but it's also worth nothing that standard diameter frames were still balancing the difference between too much flex and too little - we rarely even consider the former today.
This is the a collection of features shared by SpeedofLite on this forum, organized by weight, for the SLX/SPX tubing. Quick perusal of article links makes it pretty clear that in the late 1980s, SLX/SPX was situated in the top tier. The Sachs article is interesting because it features an SLX bike while the article shares that Columbus has been abandoned for True Temper due to QC issues.
Road Test/Bike Review (1986) DE ROSA Professional
Road Test/Bike Review (1986) POGLIAGHI Super Record SLX
Road Test/Bike Review (1986) SANNINO Professional
Road Test/Bike Review (1986) Richard SACHS Signature
Road Test/Bike Review (1985) CIOCC Super Record Pro
Road Test/Bike Review (1990) SEROTTA Davis Phinney
Frames and Framebuilding (1987) Ultimate Bikes from Davidson, Serotta, and Marinoni
Road Test/Bike Review (1986) EDDY MERCKX Professional SLX
It's interesting that there doesn't seem to be much Reynolds tubing featured, not as popular with Bicycle Guide/Bicycling at the time. Tange and Columbus much represented. Here is the link if anyone would like to look. This isn't everything but has most of what's been posted up until late December 2022.
https://docs.google.com/spreadsheets...it?usp=sharing
This is the a collection of features shared by SpeedofLite on this forum, organized by weight, for the SLX/SPX tubing. Quick perusal of article links makes it pretty clear that in the late 1980s, SLX/SPX was situated in the top tier. The Sachs article is interesting because it features an SLX bike while the article shares that Columbus has been abandoned for True Temper due to QC issues.
Road Test/Bike Review (1986) DE ROSA Professional
Road Test/Bike Review (1986) POGLIAGHI Super Record SLX
Road Test/Bike Review (1986) SANNINO Professional
Road Test/Bike Review (1986) Richard SACHS Signature
Road Test/Bike Review (1985) CIOCC Super Record Pro
Road Test/Bike Review (1990) SEROTTA Davis Phinney
Frames and Framebuilding (1987) Ultimate Bikes from Davidson, Serotta, and Marinoni
Road Test/Bike Review (1986) EDDY MERCKX Professional SLX
It's interesting that there doesn't seem to be much Reynolds tubing featured, not as popular with Bicycle Guide/Bicycling at the time. Tange and Columbus much represented. Here is the link if anyone would like to look. This isn't everything but has most of what's been posted up until late December 2022.
https://docs.google.com/spreadsheets...it?usp=sharing
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ok if they claim so, here is an interesting link about Tour de France Winning bikes ,most of the French bike manufacturers like Peugeot and Gitane used the Reynolds 531
Regarding the use of Reynolds 531 by Peugeot and Gitane, it's also worth noting that those would have been the metric-sized Reynolds 531 tubes. I would expect that makes at least a minor difference, but it's mostly just prevailing national preference. I have a Stella that used metric-sized Columbus tubing. You don't see many of those. I think I said before in this thread that it's a fairly good generalization to say that English and French builders used Reynolds tubing (the Stella not withstanding) while Italian builders used Columbus. I've seen it suggested that this is a carryover from WW2 allegiances. Regardless, I think it's more of a cultural norm than a reflection of the builder's assessment of the relative quality.
Before the mid-80's when you were basically choosing between Columbus SL and Reynolds 531, these two framesets very similar weights. It's also worth taking note of the fact that SLX was introduced as an upgrade over SL but it was slightly heavier. Weight isn't everything.
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